Search This Blog

Monday, June 17, 2013

Jeff Healey – ‘As The Years Go Passing By’ 3 CD set review

 
 
 
 
Jeff Healey – ‘As The Years Go Passing By’ 3 CD set review

Released on: Inakustik Release date: Available now
 
 
 
 
 
 
It was indeed a sad day in March of 2008 when the world mourned the loss of the Canadian blind and incredibly talented blues guitarist, Jeff Healey.



You know in complete honesty, I’m not 100% sure when it was that I first heard this legend play and yes, I do call him a legend and although perhaps he was never as well-known as he deserved, in blues, rock and even some jazz circles, the guy was greatly admired and by many. A lot of guitarists have also claimed to have taken inspiration from this talented individual.


I think it was quite possibly the 1989 movie ‘Road House’ that also starred the late actor, Patrick Swayze that was where I first saw and heard him.
Since then I couldn’t help myself, but to track down 1988’s ‘See The Light’ album from the Jeff Healey Band that featured some absolute gems in both original Healey compositions and covers from the likes of John Hiatt, Freddie King / Sonny Thompson and ZZ Top to name just three.

His band then managed to release a further four great releases in ‘Hell To Pay’ – Killer! – ‘Feel This,’ the covers release ‘Cover To Cover’ and his last from the band in 2000, the excellent ‘Get Me Some.’

Subsequent releases followed under his name only, as a solo artist until his passing in 2008 captured four albums, a fifth ‘Mess of Blues’ was being worked on for a while before Jeff’s passing and released shortly after his death.
 
So there’s quite a bit of history behind the guy’s twenty year recording history.
This release 'As The Years Go Passing By,' comes from ‘The Estate of Jeff Healey,’ so it has his family’s blessing.

It’s a nice kind of collection too, as it features three concerts recorded in Germany, where he was always welcomed, with the first dating back to 1989, at the Ohne Filter Extra event, when Healey was just twenty three with his trio comprising of Joe Rockman (Bass/Vocals) and Tom Stephen (Drums) alongside himself.

The second from 1995, was the ‘Extraspät in Concert’ with the same guys and the addition of second guitarist Pat Rush.

The third and final concert disc is again from the Ohne Filter Extra event in 2000, still with Rockman and Stephen on Bass and Drums respectively.
 
 
So, the first disc starts with the Sonny Thompson gem, ‘I’m Torn Down,’ and this is a prime example of why I like Jeff Healey’s material, as for me his style is often similar to what grabbed me from Pat Travers back in the late 70’s.
Wonderful jamming, rockin’ blues!
Then it’s a Healey original in ‘My Little Girl’ next which is an edgy grooving jam. Love it!

With a great interpretation of John Hiatt’s ‘Confidence Man’ next, which became a staple in Healey’s set over the years that followed and the man and his band play like seasoned players and it’s such a pleasure to listen to.
 
Another original next follows appreciative applause, in the shape of the almost (Eric) Clapton like ‘I Need To Be Loved’ and really, if you’re reading this and have never heard Healey’s playing before, I think this three disc live set is a great introduction for anyone!
 
 
Healey picks the Bob Dylan tune ‘When The Night Comes Falling From The Sky’ next and I’m sorry if there are any Dylan fans reading this, but in my mind, anyone that has covered one of his songs has made it better and this version is certainly nice and lively!
I’m pretty certain I hear keys here for sure from time to time, but there’s no one credited with playing keys, so who knows who joins them?
 
‘River of No Return’ next is very catchy and again I swear there’s keys here ... Nonetheless, it’s another great song, performed solidly here.

Another Hiatt song in ‘Angel Eyes’ is next and another regular track in the Healey set list it seems and it’s a more laid back tune, still good stuff!
 
The two songs that wrap up this first disc is first off Jeff’s cover of The Doors classic ‘Roadhouse Blues,’ which has always come across kind of strange to me without keys, which was of course paramount to The Doors but Healey makes this his own and then his own song in ‘See The Light.’

The title track of the man’s first album is a great set closer here, after some messing around before it starts proper it gets into its groove and some serious riffing from Jeff.
The track clocks in at just over nine minutes and in the mid-section solo, Jeff’s is playing his heart out with the band and then just jams by himself, wildly and I mean that as very well indeed and more so than anywhere else on this first disc. Brilliant!

 
 
Disc two opens with one of my favourite Jeff Healey covers in his interpretation of Spirit’s ‘Got A Line On You.’ This totally rocks!
Its classic blues with the Robert Johnson classic ‘Stop Breaking Down’ next and they don’t come much more trad than this one!

A tune made popular by Albert King next and the title of this complete package in ‘As The Years Go Passing By,’ is more classic blues for you folks!
Then it’s over to the second appearance of ‘Confidence Man’ which Jeff and band have really made this their own tune.



It was pleasing to see the Steeler’s Wheel cover, ‘Stuck In The Middle’ written by the late Gerry Rafferty and Joe Egan.
I think as with Healey, that Gerry Rafferty was hugely overlooked / underrated.
Jeff, I wish I could say this to you today, but if Gerry was here and you, I believe he’d tell you, ‘Thanks Jeff, that’s sounds great!’ RIP guys! :(

This whole disc was of course recorded during the ‘Cover to Cover’ tour by Jeff and his band, so there really is more emphasis on cover tunes here.

 
I’ve always loved the (Jimi) Hendrix tune ‘Angel,’ which I first heard in the 70’s by Rod Stewart, then I heard the Hendrix version and enjoyed that one as well, so it‘s great to hear Jeff’s live version here. Wonderful tune with Jeff’s twist on it too!

Next here we get Jeff’s take on Lennon / McCartney blues jam, ‘Yer Blues’ which gets a real down and dirty groove and he also rips out a killer solo!



A tune made popular by Lonnie Johnson, ‘Me and My Crazy Self,’ gets the Healey solo acoustic treatment next, including some serious acoustic riffing in the second half of the tune, which just goes to show that the man had no inhibitions on how he jammed either just him and an acoustic or fully electric with his always class backing band. Good stuff indeed!

 
To another staple in his live set, the John Hiatt tune and always beautifully presented ballad ‘Angel Eyes’ next and it’s a nice little diversion from the blues set to show the lighter side to Healey’s playing and then it’s back to the rockin’ with a nine plus minute version of The Doors ‘Roadhouse Blues.’

A bit of laid back acoustic intro with some fooling about brings on his own song ‘See The Light’ which becomes an almost fifteen minute monster!


Can’t say enough about how much Jeff and the band put into the song and then to close this disc, a truly wonderful version of George Harrison’s ‘While My Guitar Gently Weeps.’
Some serious guitar work from Jeff here that almost feels in moments like the soloing on  Lynyrd Skynyrd’s live version of say ‘Freebird,’ although clearly not as lengthy!

 
 

The last disc here is from Jeff's last tour with the Jeff Healey Band, in support of the band’s last album, ‘Get Me Some’ released in 2000 and reissued again in 2011, through Eagle Rock.
It was and still is in my books a great album that featured songs co-written by some real greats from the AOR world, like Dianne Warren, Arnold Lanni, Marti Frederiksen, Stevie Salas amongst others, but that said, this recording only features three songs from that release as well as seven other classic gems.
 
 
Opening with his own composition ‘My Little Girl’ from first album ‘See The Light’ you’d think Jeff had been doing this for not twenty but more like thirty years!
It’s got a great groove not unlike Santana at times.
Next it’s ‘Which One’ from the ‘Get Me Some’ album and the chorus will really grab you, as it did me, great jam!
 
 
Another from that album next is ‘Love Is The Answer’ which is a little more laid back and as close perhaps as his blues rock got to a kind of power ballad. Really nice song …
Then it’s back to the real blues of ‘How Blue Can You Get,’ made famous by B.B. King, which Jeff really makes the most of in this eight plus minute jam!
You really could play Jeff, you are missed …
 
Possibly Jeff’s favourite in his live set, ‘Confidence Man’ is next, which I’ve quite possibly said enough about already, as it also featured on the first two CD’s here too!
 
 
I really do love what Jeff does with ‘Put The Shoe On The Other Foot’ next, with some gentle picking and playing at the start and some truly soulful singing and even a scream before the song really gets into its groove and then when Jeff gets soloing, boy does he rock out!
This is another monster jam, that rocks some but then takes things down real low a little after the midway point and then comes back with venom with some absolutely kick ass rockin’, jamming!
 
 
‘Feel Better’ again from ‘Get Me Some’ up next has it’s up and downs in soulfulness and then dark yet rocking edginess, almost Hendrix like to a point and I begin to wonder if Jeff Healey influenced Joe Bonamassa any, as this isn’t far away from something you’d hear from Joe.
 
So to another favourite in a Jeff Healey set with John Hiatt’s ‘Angel Eyes’ next which is as I’ve said before, a truly beautiful song, which is followed by another of his live favourites in another cover, ‘Roadhouse Blues.’ ‘Keep your eyes on the road, your hands upon the wheel …’
Indeed Jeff, you rock it here!
 
Then to close the collection ‘See The Light’ does the trick nicely!
 
 
This is a great live collection to have, a really great memoir of another truly great talent that the world and of course Jeff’s family lost way too soon.
If you’ve never heard Jeff Healey, then do yourself a favour and go get yourself some,' to take a line from the man!
This is the three CD set, but there's also a deluxe set of two DVD's and these three discs too.

It’s a real pleasure to get to listen to this and better still, to have the honour of reviewing the man’s great work.


Thank you Jeff Healey and band, for some great music you left us to remember you by, RIP Jeff.
 
 

Rating: 4.75 out of 5
 
 
Official website – With links to purchase the album too!
 
 
 



Monday, June 10, 2013

Brief Site Update - June 10th, 2013




 
 

Chambers of Rock - Brief Update
 
Hi rocker's 'n' rollers!
 
Just thought I'd take a few minutes to drop a brief update here and sorry it's nothing more substantial at this time.
 
Still hoping to get back to more news updates soon, but for now still keeping it to just album (CD), DVD and the odd gig review until I get to that point where everyone's not screaming for more blood from me and I won't name names - Close friends know those I'm talking about! LOL! - but as I say, hopefully soon.
 
Would be nice if the current day job situation changed somehow or another, that could help hugely, but there you go ...
 
 
So, are you enjoying the summer so far?
We don't feel that it's really kicked in here in Michigan, but it seems it's getting more and more like the UK for being unpredictable!
 
Anyway, enough about all that you really want to know what's going on don't you and what you can expect here ..., soon!
 
 
OK, reviews coming soon for releases for Jeff Healey, a three disc live collection of German shows, Queensrÿche featuring Todd Le Torre, Chasing Violets second album, Judas Priest's 'Epitaph' DVD, Dio's 'Magica' remastered deluxe CD set, The Poodles 'Tour De Force,' State Cows 'The Second One,' Bonfire 'Live in Wacken' and also coming soon I'm pretty sure - Although release date still TBC - the new one from Newman, entitled 'Siren.'
 
I guess I might just cover Black Star Riders, 'All Hell Breaks Loose' release, even though they wouldn't send it my way, but since I HAD to hear it, I went ahead and ordered it and I love it!
 
Couple of gigs coming up soon too that I'm hoping to cover, but knowing how crazy life is here right now, who knows how that will pan out!
Boy, would've I have loved to have attended Sweden Rock Festival this last weekend, by all accounts it sounds like it was another cracker!
Download this coming weekend in the UK, likewise ..., wish I was going ....
 
 
Sad news recently on the passing of Uriah Heep's Trevor Bolder.  on May 21st, 2013.
RIP Trevor, a lot of history there too from his part in David Bowie's Spider's From Mars band, he was also part of Wishbone Ash, as well as former band mate from the Bowie days, Mick Ronson's (RIP) band.
Then he did some shows with Def Leppard's Joe Elliott and Phil Collen in the Cybernauts who paid tribute to Bowie and Mott The Hoople with a few select gigs.
 
Another good guy gone ...
 
I dropped my old mate Mick Box my condolences and he shared this back:
 
Thanks for your kind words mate!
Trevor is at peace now, and in the hearts of those who loved him, he will always be present, and in the heads of those who listened to him, Trevor will always be heard.
He leaves an amazing musical legacy!
It is so sad, but the love shown around the world for Trevor, both for his playing ability, and as a person is overwhelming.
Cheers,
Mick
 
Tough for Mick indeed and of course Trevor's family and all the other Heep guys.
Belated birthday greetings to Mick for yesterday too ... How old mate?!

 
 Today also Def Leppard's Vivian Campbell announced that he's been battling cancer - Hodgkin’s Lymphoma - so our thought's and prayers go out to him for recovery through his chemo treatments.
http://www.defleppard.com/news/2013/06/10/message-Vivian


Former Journey singer Steve Perry too, just learned that a mole recently removed from his face was cancerous as well ...
 http://www.classicrockmagazine.com/news/steve-perrys-cancer-hell/


Cancer folks, it's awful ... It's all we ever hear about these days ...
I've had close friends go through it too ...
Seriously, can't say enough that if you have a niggling ailment that you're not sure what it is, but can't seem to shake it ... Go get yourself checked out, please!

 
So, you can see it's certainly not a case of nothing going on, it's just getting these reviews typed up!
Stick with me folks, I'll keep you entertained, hopefully! LOL!


One final thing, US fans, check out Jay Leno tonight, at 11.35pm EST for an appearance tonight by Bad Company, as a pre-cursor to their 40th anniversary tour and a co-headline tour with Lynyrd Skynyrd that starts in Auburn, WA on June 20th.
Check out more details here:
http://www.badcompany.com/news.html
 
 
Have a great summer, however you handle it!
Cheers and keep on rockin'!
 
Al
Chambers of Rock 
 
  

Friday, May 31, 2013

The Wild Lies – 'Jack’s Out Of The Box' EP review

 
 
 
The Wild Lies – 'Jack’s Out Of The Box' EP review

Released on: Izzi Records. Release date: Available now.
 
 
 
 
 
 
So here we are with a band that most likely, none of you have heard of. Why?
Well, most likely it’s because The Wild Lies are currently – As yet - an unsigned young British act from High Wycombe (England), who put together this wonderful, self-financed release and yes, I know it’s just an E.P. of five songs – that are killer! – but they clearly wanted to get something out there quickly and it seems in recent times, even some established acts have been reluctant to record a full blown album, for various reasons and have done the same.
 
I know a few right off the bat, who did so because their take is that many people, modern listeners, simply lose interest in one act’s whole new album of say twelve to fifteen or so songs, so they feel it’s better to focus on a handful of top notch tracks.
 
Others I’ve heard say they’re reluctant to do a full album, because so many people simply find pirated tracks online, download them for free or for a ridiculous nominal fee – That they, the pirates. – keep for themselves without any royalties going to the artist, to which I say to the artists, I don't blame you!
 

There’s also another angle that I’ve not heard said, but there’s probably a lot to it and that is, when an act goes out live and plays their sets, how many new songs off their latest album, do they ever play? One? Two? Maybe five tops right, so right there is maybe a valid reason and angle today, certainly from established acts for sure.
Sad days, as I indeed love hearing a completely new album’s worth of material!
Maybe I’m the exception though ….?
 
 
To the E.P. that we are covering here though, is The Wild Lies first recorded output, ‘Jack’s Out Of The Box.’The lineup that recorded this E.P. was – Yes, I’ll get to that … - Matt James - vocals, Rob Gamble - guitar, Dylan Smith - bass and Ralph Morris on drums.
 
 
I just love how strong opening track ‘Falling’ is, especially the killer chorus, strong hook line, great vocal from Matt James – He should go far! - great catchy lyrics and the band recorded an interesting video for this track. Check it out on You Tube: http://www.youtube.com/watch?v=8tG2b4on3N0
It’s weird because the opening of the song seems to come across very heavy, but then before long it just grabs you as it’s such a hooky song … ‘That’s why I’m F-a-l-l – i-n-g, Got no destination … I don’t want this, to be the end. I’m dreaming, not cheap imitation, I don’t want this, to be pretend!’
Love the chorus, then into the heavy chord changes again through each verse and then, once again ‘I’m F-a-l-l-i-n-g …’ You’ll get it when you hear it!
Very heavy bridge and then a ripping solo from Rob Gamble.
There are clearly loads of influences across just this song alone, but the album, sorry, E.P. is just solid!
 
 
 
‘Stone Cold Love’ next is equally as edgy as ‘Falling’ and at first I didn’t feel that the chorus was as catching as ‘Falling,’ but you know what? It really is!
Plenty of timing changes throughout the song, which is possibly why it didn’t grab me in the same way as ’Falling’ from the start but once you’ve played this a few times, you’re like kicking yourself for not thinking it from the get go.
The band has got great harmonies too on the vocals, all to just make this better and better.
 
 
Next track ‘Relive the Ride,’ was the first track I ever heard of this band from a good old friend in the UK – Thanks Ian! – who asked me if I had heard of these guys before.
He sent me the You Tube video link for this – http://www.youtube.com/watch?v=6sEOsXcBFUA – and it was like, wow! Who are these guys? Then I found the ‘Falling’ link from there and was hooked and could not figure out, how I missed this band before?!
The song opens with an almost – Oh boy, here I go … Comparisons! – Def Leppard like groove intro, then gets driving with a very familiar like driving riff and becomes an absolutely killer song with big vocals, big dirty yet catchy chord patterns and wonderfully subtle guitar licks that aren’t overpowering, just accenting the song. Wonderful stuff!
 
 
Who’d of thought after all the powerful hard rockin’ and drivin’ of the three previous songs that they’d then come up with the magical power ballad ‘Beginning To End.’Love Rob’s lead guitar sound, very (Michael) Schenker like and once more I can’t emphasize enough how strong Matt James vocal is. The whole song structure is very well written, as are all the five songs on here.
 

  
Final of the five tracks here is ‘Heartbreaker’ which starts with a big old dirty, sleazy intro and then just rocks out, in an edgy style not unlike Jet when they do it.
All the songs have very many elements to them that may have you comparing those  elements to other bands, but as an all-encompassing package here this is simply great!
Again on ‘Heartbreaker,’ as elsewhere here, the timing changes show just how tight the band is and seeing them live for me would be just another wonderful dimension personally.
 
 
So here’s the thing, I love everything here and it’s very worthy of the rating it receives and so I wanted to know more about the band and have found out that they have toured as a support act in the UK and have also lined up a prestigious appearance at this year’s UK Download festival on June 15th, fantastic.
 
 
I wanted to also know about future plans too and have learned that the lineup has now changed, from the guys that recorded the E.P. and two promo videos.

The current lineup features original member Dylan Smith on Bass, Matt Polley – Vocals (Who is in fact, Matt James! Name change!), Tom Miles – Drums, Andre Ruffell and Zak Muller on Guitars.
It will be interesting to see where the band goes from here and hope to hear more of them in the future.

 
 
Rating: 4.5 out of 5 – Just wish there was a full album’s worth of material though …
 
 
Weblink:
 
 
Wanna buy the E.P. folks? Here's a link:
 
 
 


Tuesday, May 28, 2013

Rainbow – ‘Live in Munich 1977’ album review

 
 
 
 
Rainbow – ‘Live in Munich 1977’ album review

Released on: Eagle. Release date: Available now.
 
 
 
 
 
First off I have to tell you that this Rainbow 'Live in Munich 1977,' is a release that was previously released in different formats, although never on vinyl and has now been reissued in various different formats with re-mastered audio. 
So now it's available in DVD, vinyl, CD and digital download formats for both the video and finally the music that I have to cover here.
No mention of Blu-ray ... Yet!
 
My source had limited availability on the DVD, so I went and picked up a copy for myself – From Amazon … - which includes many bonus features, that I really wanted a copy of for my collection anyway ..., but I'm not covering that review here ... Took me long enough to wrap this beauty up!
 
This release basically features the lineup that released the wonderful album, ‘Long Live Rock ‘n’ Roll’ in 1978 with leader Ritchie Blackmore (Guitars), Ronnie James Dio (Lead vocals – RIP Ronnie), Cozy Powell (Drums – RIP Cozy) and the two newest members of the band, who were let go / quit after the recording the album and touring it finished in 1979.
Bob Daisley (Stan Webb’s Chicken Shack, Widowmaker, Ozzy Osbourne, Uriah Heep, Gary Moore and many more!) on bass who after leaving Rainbow was hugely sort after and on keyboards David Stone who could really jam on Hammond!
None of the other three members surely need any introduction at all, as they all have / had great track records, end of story!



Sadly both Ronnie James Dio and Cozy Powell are no longer with us, leaving the world way too early in anyone’s book.
After Rainbow though, they both went from success to success, until both of them sadly passed. Cozy in a car crash in 1998 and Ronnie just three years ago to stomach cancer.
I sincerely miss both these players, as they were both top notch.
RIP guys ...

 
 
 
So this is the CD version of this release, ‘Live in Munich 1977’ that sadly only includes nine tracks and there could’ve been more, but for Mr. Blackmore’s incredible self-indulgencies ... Seriously!



  This became all too obvious in subsequent Rainbow gigs and live releases, which in each case had much more of a set list to them, not necessarily much longer shows, but without doubt more streamlined.


In fact this is really only eight tracks when you take out the ‘Introduction’ from ‘The Wizard of Oz’ with the voice of Judy Garland and it really rocks out with ‘Kill The King’ reflecting the band on absolutely top form with their opening number!

David Stone’s Hammond totally compliments Ritchie’s magnificent guitar work and Ronnie’s wonderful vocals and the driving force of both Cozy Powell and Bob Daisley, it’s just wow!

At the end of ‘Kill The King,’ Ronnie talks to the crowd, ‘Thank you so much, again we say thank you for staying so long, for staying as long as you have, we hope you enjoy the show.’

The story goes that the band were late starting this gig as prior to this Munich gig, Ritchie Blackmore had to be smuggled out of Austria after trouble with Police at a gig there two nights earlier, which caused the band to arrive late for this gig.
 
Have to say, the band sounds great, so maybe Ritchie’s freedom drove him to play the performance of his life perhaps?! LOL!

 
 
‘Mistreated’ from Ritchie’s Deep Purple career is next and for all intents and purposes it’s as strong as ever, if drawn out which is my only criticism here, with Ritchie just going off on his own little jaunt, before the band all come crashing back in with the song’s heavy blues groove.
 
I love Ritchie Blackmore’s guitar work, always have done as any of my old mates would tell you and he was my favourite player for ages until around the mid-80’s when I just felt that really for me, Michael Schenker (UFO, Scorpions) was edging it ...
Still love all of his Purple and Rainbow stuff though!
 
 
‘Sixteen Century Greensleeves’ comes next, almost like a breath of fresh air.
The track that gently lulls the listener into a false sense of security with its gentle intro before kicking down the door with some seriously heavy guitar chords, drums and bass, is a
great number that I hadn’t heard in years and it brought back great memories! Magic!

 
 
The wonderful and epic ‘Catch The Rainbow’ is next, which finally starts after about two minutes of Ritchie’s ‘song introduction ...’
Although it’s such a lengthy excursion, it allows each band member to shine, but it’s really Ritchie Blackmore’s centerpiece if you will with his soloing in the middle – even with David Stone trying to make his Hammond organ get some attention – reaching over seven minutes alone in this seventeen minute monster!
Still love it!
 
 
As a lead into ‘Long Live Rock ‘n’ Roll,’ Ronnie explains ‘We’d like to do a song for you from an LP that you’ve never heard before, because we’ve only just finished recording it … An LP that you should be able to buy, I hope or steal it or whatever you do with it, get it, in January some time. Our new LP which this is the title track from, kind of the message that we’re trying to give to the world .., except for Austria … It’s a song called ‘Long Live Rock ‘n’ Roll’ this one!’
 
 
It’s actually kind of cool as clearly since the band had only just wrapped up recording prior to these dates, the new song’s structures were not yet set in stone, so as with ‘Kill The King,’ ‘Long Live Rock ‘n’ Roll’ each song actually comes across slightly different from how you may have familiarized yourself with the tune from the 1978 album release.

The intro especially with the drums – Cowbell count in! – and Hammond keyboard playing back and forth a little before finally kicking everyone in together and it’s a seriously heavy Hammond intro and then Ronnie’s vocal sounds completely inspired!
Wonderful stuff!

 
 
 
Disc two kicks off with an almost speed driven version of ‘Man On The Silver Mountain,’ which if you go back and listen to the original 1975 version from ‘Ritchie Blackmore’s Rainbow,’ it’s like this one leaves that version in the dust!
 It of course get's into it's jam section, where after a little Blackmore break, the band kicks into 'Starstuck' just briefly, still a kick ass jam!
Said jam continues and then gets back into 'Man On The Silver Mountan' before wrapping the track up.  

I must say I’ve always thought the original studio version sounds so slow, I remember our band looking to cover it a few years ago and when we first got together to jam it everyone said to me, ‘Al, that’s way too slow man!’ I said, ‘OK, let’s all listen to the original together then and you’ll see why I’m playing so slow?!' LOL! Funny times!
 
 


‘Still I’m Sad’ next is another monster here, clocking in around twenty five minutes, although it does capture my all-time hero drummer Cozy Powell, performing his solo accompanying Tchaikovsky's '1812 Overture!'
 
It is another with the lengthy intro, not Ritchie so much this time, but David Stone, no complaints though ... Then right around the four minute mark, wham! In comes the band!
 When they reach the mid section, Ritchie throws in little snatches of songs / tunes, first off I hear 'God Rest Ye Merry Gentlemen,' then Beethoven's 'Ode To Joy.'
David Stone gets a little time, where he even at times sounds like Keith Emerson to a degree with some serious synth stuff ... Wow!
 
Then it's Cozy's turn ... Prior to the '1812 ...' piece, he shows his own little endeavors, with rapid double bass drum and wonderful fill's the whole thing clocking in just under six minutes ...
Love the DVD of this ... Boy are you missed Cozy .... :(
The cheers when Ronnie yells out, 'Cozy Powell!' Speak for themselves, massive!
 
 
The band departs the stage briefly only to be beckoned back for an encore in 'Do You Close Your Eyes?' Of course not before Ritchie's provided us another three minutes of his guitar flurries ...

The band totally rocks on this and there's a moment or so when Ritchie and David Stone play off each other in great style and then there's Ritchie's own soloing that is just wonderful!
The ending I will say though is seriously drawn out by Ritchie as he gets all crazy and trashes his guitar ...
 
All said and done though, a very solid and suitable finish, good old rocker!
The whole performance is closed by 'Somewhere Over The Rainbow,' with Judy Garland doing her bit in the intro for the band and at the end ....

It's releases like this that kind of in some respects rile the listener up, that Ritchie Blackmore stopped rockin' 'n' rollin' more than a few years back.

I really did enjoy listening to this though and checking out the DVD ...
The bonus footage there for me, is going to take some time for me to get to though unfortunately ..., as more album reviews beckon!

This is certainly a winner in my books however you look at it, even if kind of drawn out in places, there's plenty here in the flow of things that more than make up for Ritchie's 'dabbling's!'

With Rainbow, 'Long Live Rock 'n' Roll' simply couldn't say it loud enough and with these guys, the memories will always remain special and legendary.
Good job Eagle Rock for putting this out!


Rating: 4.5 out of 5


Weblink:

http://www.eagle-rock.com/

Related sites:

http://www.blackmoresnight.com/
http://www.rainbowfanclan.com/ - Fan site, very good!

 

Tuesday, May 14, 2013

Queensryche featuring Geoff Tate – ‘Frequency Unknown’ album review.

 
 
Queensryche featuring Geoff Tate – ‘Frequency Unknown’ album review.

Released on: Deadline Records. Release date: Available now
 
 
 
 
 
 
So, here’s the first of two new releases by the band’s - Yes, I did say band's ...! - Queensryche and this is the lineup that features original singer Geoff Tate and none of the other members of the most recent lineup that still included Geoff Tate and recorded the 2011 album ‘Dedicated to Chaos,’ before last year’s band split.

Those other members have moved on and will have their new album featuring singer Todd Le Torre (Crimson Glory) released in June …
 

 
So what of this new album 'Frequency Unknown' featuring Geoff Tate, is it just another Geoff Tate solo affair following on from his solo release last year, ‘Kings and Thieves’ or has he tried to capture the Queensryche vibe at all?
 

Well, a couple of points are very clear and first off is that if he couldn’t have all of the last Queensryche lineup onboard, Geoff Tate would put together a very respectable lineup, to record an album under the title Queensryche.

He went back to grab a player from his pre-Queensryche days from the band Myth, in Kelly Gray who in fact was the guy who had replaced original guitarist, Chris DeGarmo who quit in 1997. – Kelly was let go from the band in 2002.
 

Also from his Myth days, Tate has brought in keyboardist Randy Gane who had also played keys on the Queensryche’s ‘American Soldier’ album and toured with the band prior to that.
 
 
Geoff Tate also decided to pull in a bunch of guest players for this new album cue guitarists, Brad Gillis (Night Ranger, Ozzy Osbourne.), Dave Meniketti (Y&T), KK Downing (Judas Priest), Ty Tabor (Kings X), Chris Poland (Megadeth) who all played guitar solos throughout the album and rhythm guitarist Craig Locicero (Forbidden) plays throughout and much travelled bassist Rudy Sarzo (Quiet Riot, Ozzy, Whitesnake, Dio) plays on three songs here.
Robert Sarzo (Hurricane), Rudy's brother also plays a solo on one song.
 

The also much in demand drummer Simon Wright (UFO, Dio, AC/DC) also plays on two of the album tracks as well as has been touring already with this version of the band, until recently where Brian Tichy (S.U.N., Whitesnake, Foreigner, Billy Idol, Gilby Clarke) has stepped in while Simon rejoins his band mates in Dio Disciples on tour in South America.


Another pro drummer involved is metal man Paul Bostaph (Slayer, Testament, Forbidden) who plays on four of the albums ten original new songs.

Other players involved here who I know little about really are Chris Cannella (Guitars), Evan Bautista (Drums) and the album’s producer Jason Slater who also plays bass and keyboards through the album and who actually produced three of the last four Queensryche releases before this one. So I guess I did know that about the guy!

That’s a lot of info on the people involved in this project and probably for many rock fans, perhaps you couldn’t care less about who played on this, as it’s not all of the guys from Queensryche’s past!
So, shall we get on with the music?
 

 
It is quite heavy in places, certainly comes across as angry from Tate too, just listen to his lyrics throughout and certainly I would guess that opening song ‘Cold’ is most likely directed at his former band mates who moved on with Todd La Torre.
Would I call it as progressive as many fans would like? I think it is in places.
I think this opening song is edgy, plenty of power chords yet it has a catchy melodic feel to it, plenty of keys splattered throughout.
 

‘Dare’ next is also full of attitude and I will say it almost nods at rock/rap here and there, which I know Tate has come close to before. Some weird chord patterns right after the mid-section and into the bridge.
Doesn’t work for me really, it’s OK.
 
 
Some of the phrasing on next track ‘Give It To You’ again tends to nod to borderline rock/rap and when I hear the line, ‘How’d you like me so far,’ I can’t help but be reminded of the song by The Heavy, ‘How’d You Like Me Now?’ Not a good feeling …
That said, Robert Sarzo plays some absolutely killer guitar here, love the solo, really is a winner!
 
 
‘Slave’ is very almost punky / grunge like and I really can’t put it any other way, it just is. Not too keen on this at all.
 
 
You know, there’s often been times when I listen to Geoff Tate’s voice and many times think he’s very similar in sound to Iron Maiden’s Bruce Dickinson, on ‘In The Hands of God,’ is just one such time, but that’s not to say the track sounds like Iron Maiden by any means.
It’s a kind of prog like track with its highs and lows for me throughout, it’s OK but I do have add, I really enjoy Ty Tabor’s guitar work on here, it’s actually very much in a similar vein to Neal Schon (Journey), very nicely done indeed.
 

‘Running Backwards’ starts with a creepy sound, not quite sure what it is, maybe messing with the guitar bridge before getting into heavy edged groove and then easing off a bit through the verses with Geoff Tate giving it a borderline rock/rap meets prog like vocal here and then it gets into a manic solo from guest player KK Downing.
It’s OK, but isn’t really growing on me even after a number of plays.
 
 
Next is ‘Life Without You’ which seems to have a little more commercial feel to it and there’s an interesting dark’ish, edgy solo from Night Ranger guitarist Brad Gillis, before getting back to the song and then Brad wraps up the song with a solo that sounds like something Zakk Wylde might do. Crazy!
   

‘Everything’ up next captures a kind of light and dark heaviness with some very melodic touches to it as well and once more, some very nice guitar work from Ty Tabor.
 

You know I’ve read all the stories about how badly mixed this album was and yes it may have been before, but I understand the version I have was redone and for all intents and purposes I think it sounds a very good mix, yes really, not bad at all.

 I also think there’s nothing wrong with Geoff Tate voice from his performance throughout, so to the doubters out there, I think you have it wrong …
 
I personally think the direction Geoff's looking for though is perhaps uncertain, but that's just my take, I'm sure live he's still belting out the classics just fine.
 

I do agree that his attitude issues which were very clear on the TV broadcast of last year’s Rocklahoma show, was bad and subsequent activities on the South American dates that followed that, which ultimately led to the split, were just simply wrong.
Really friction had been brewing for some time, so really the split was on the cards ..., but let's get back to the album here!
 
 
 
‘Fallen’ is up next and this features one of my favourite guitarists Dave Meniketti on the guitar solo.
The generally vibe on here captures a pretty atmospheric sound, with a lot of layers to it, good mix of sound, good emotional vocal performance and indeed the solo from Meniketti slots in well with a great band performance.
 
 
Last of the new material here is ‘The Weight of the World.’It’s a big epic like number that builds from it’s quiet, gentle intro into some big crunching power chords into rocking groove and then eases back off again …, think also of how Whitesnake’s ‘Still of the Night’ goes back and forth – Ed’s note: For the record, this sounds nothing like ‘Still of the Night!’ – and Chris Poland’s guitar solo is fantastic!
 
 
So, the new material done, what’s my take on that?
Is it back to classic Queensryche? I don’t think so.
Are there elements of it, yes, here and there, but overall I like the majority of the album, I think it’s a good rock album, but still there are two or three songs that even after a number of plays, didn’t do it for me.
 
 
On the remakes of ‘I Don’t Believe In Love,’ ‘Empire,’ ‘Jet City Woman’ and ‘Silent Lucidity,’ Geoff Tate has called on the services of Argentinian multi-instrumentalist, Martin Irigoyen who I knew absolutely nothing of before I saw his name here.

Basically Geoff sings and Martin does all the rest, well at least drums, guitars, bass …, but it doesn’t mention in the album’s sleeve notes, who is playing any keys …? Hmmm …

Randy Gane gets credit for the orchestration on ‘Silent Lucidity,’ Miranda and Emily Tate credit for backing vocals on the same track.
Nina Noir covers backing vocals on ‘Jet City Woman.’

 
Overall, good to hear these again, but I don’t hear any dramatic edge one way or the other with the four re-recordings.
Certainly a pretty respectable release with some very good performances.
 
 
Overall rating: 3.5 out of 5
 
 
 Official website:
 
 
 
Links to purchase the album:
 
 
 
 


Monday, May 6, 2013

Axel Rudi Pell (ARP) – ‘Live on Fire’ album review

 
 
 
Axel Rudi Pell (ARP) – ‘Live on Fire’ album reviewReleased through: SPV/Steamhammer. Release date: Available now
 
 
 
 
 
 
The man that clearly, not enough people know of, but he deserves to be heard!

Axel Rudi Pell decided to go solo after the split of German rockers Steeler around 1988 / 89.
His solo band released their first album way back in 1989 and in total to date he has released fifteen – Yes, really! Where have you been people?! – A.R.P. studio releases, not to mention a few live albums along the way.

 

Clearly his popularity has its strongest foothold in his native Germany and perhaps here’s a little known fact that is why I am amazed that he has not had more success …
Across those fifteen studio releases, he has had some amazing singers in his band, something that even I was guilty of not knowing!
 

Jeff Scott Soto (Yngwie J. Malmsteen, Journey, Talisman, Soul SirkUS) sung on four of them, Charlie Huhn (Ted Nugent, Gary Moore, Foghat) sung on the first one, Rob Rock (Impellitteri, M.A.R.S., Avantasia, Warrior) sung on one and the excellent Johnny Gioeli (Hardline, Crush 40) has sung on the past eight studio releases and also features here.

Other band members have generally come and gone, with the exception of bassist Volker Krawczak who has been present on every A.R.P. release, also current drummer Mike Terrana has featured on the past seven releases and keyboard whizz, Ferdy Doernberg on the past eight studio albums.

 
Axel Rudi Pell's sound – IMHO – kind of fluctuates, taking in influences such as Ritchie Blackmore’s Rainbow, Yngwie J. Malmsteen, The Scorpions, Dio / Black Sabbath featuring Ronnie James Dio, M.S.G. and at times, there’s without doubt some (Jimi) Hendrix appeal in there.
Heck, it’s even similar to some of Europe’s early material too, but then Axel has been doing this for a while, so hardly surprising that listeners will pick up on other similarities too.
Mr. Pell, I will add though, does like to go off on some lengthy diversions on some tracks, but the wonderful thing about his playing, is that he is clearly a lover of hearing keys alongside guitar on a pretty even balance, sometimes a rare thing, but it does help you understand why the Blackmore / Malmsteen comparisons.

So, if you’re a classic / hard rock fan and aficionado of those acts, I have a feeling, you should be checking this guy’s material out!   

  
I really am a newer fan of the guy, having heard the name for a number of years, but never – Foolishly! – having taken the time out myself to check him out until about three years back, having heard material from ‘The Crest’ and then the most recent studio album, ‘Circle of the Oath’ released in 2011 and reviewed on this site.
 

I think Jeff Scott Soto previous involvement is seriously, a little known fact, as whenever press releases for his material come out or any cross reference to his past works, sadly A.R.P. is rarely if ever mentioned and I am going to make it a priority to track copies of those releases down for sure!

 
 This is a really enjoyable live album, that I can play again and again, a great two disc set!
Events start with the intro and opening song from the last A.R.P. release ‘Circle of the Oath’ in the form of ‘The Guillotine Suite / Ghost in the Black’ and ‘Ghost in the Black’ is a great opening song, hard, heavy strong musically and vocally, love it!

Johnny Gioeli's vocals kind of come across a little differently throughout his performance here, at times pushing himself close to Ronnie James Dio, but he’s really not quite there, but simply put it's strong and also he seems to work hard at pleasing the German crowd with much interaction, even confessing later during the set that his grasp of the German language is crap, but at least he tries here and there with a few words.

 
‘Strong as a Rock’ from the ‘King’s and Queens’ album is great next number once more nicely blending the keyboards of Ferdy Doernberg and rocking guitar work of Axel Rudi Pell. During the song, Johnny urges the crowd to join in on the chorus and the participation seems a little restrained here, but it gets better as the performance goes on.
To those not familiar with the guitarist’s style, again I hear a lot of Blackmore influence in his playing on this track, but also where he hits the wah wah, certainly some Hendrix.
It’s all good to me!
Back to the ‘… Oath’ release for ‘Before I Die’ starting with some rabid guitar work and into the up tempo groove of the song and once more it’s a strong chorus. Hard rocking catchy stuff!
 
 
 
Next up is a medley capturing ‘The Masquerade Ball / Casbah / Dreaming Dead / Whole Lotta Love / Dreaming Dead (Reprise)’ that lasts just under eighteen minutes, with ‘The Masquerade Ball’ capturing a sound not unlike say M.S.G. or The Scorpions and no, there’s no Klaus Meine about it at all, so don’t expect it!

‘Casbah’ next has that haunting mystical Rainbow like underlying Hammond sound as the song kicks in, then before too long Johnny gets the crowd involved singing the chorus, it’s getting there!
Elements of ‘Dreaming Dead’ with some beautiful guitar work throughout here too. Almost (Tony) Iommi like at times and Blackmore at others, wonderful and then this merges into a little snippet of Led Zeppelin’s ‘Whole Lotta Love,’ before finishing ‘Dreaming Dead’ with a touch of Black Sabbath’s ‘Heaven and Hell.’ Nice touch guys!

 

Mike Terrana then gets his solo spot and proves he’s no slouch, introduced by Johnny as ‘The animal, the beast … Mike Terrana!’This lasts for just over four minutes before Ferdi jumps in on keys, initially playing  Offenback’s ‘The Can, Can!’ Funny!

 Johnny Gioeli then talks about, ‘why can’t we do this while having some f**king fun!’
He does like to swear a bit, so if you’re easily offended, maybe you won’t appreciate that?

Next he introduces ‘Mystica’ which is very much in the groove of Rainbow / early Europe’s material too, of course this is all through Axel’s playing styles.

Johnny really has a Ronnie James Dio approach here, without a shadow of a doubt before the band take another diversion through Deep Purple’s ‘Mistreated,’ ironically a song Ritchie Blackmore carried over into his Rainbow band and this takes the song overall to just under the twelve minute mark, with some lengthy guitar interludes.
 

 
Now remember, this is just the CD version of this release, so now we’re onto CD disc two, as the band goes back in time to the ‘Oceans of Time’ release from 1998, for the title track itself.

The CD set captures thirteen tracks in total, including the various tracks that capture some great medleys.
If you track yourself down the DVD, it’s a two DVD set, encompassing a massive twenty four tracks, an interview with Axel, the story of A.R.P. and bonus video clip of the song, ‘Hallelujah’ which I’m guessing is a new track, but the press release and even his website do not elude to this ..?
 

Anyway on with the details of CD two and before they get into the track Johnny talks to the crowd a little and this is where when he’s explaining that this band has been going on almost fourteen years together, he says, ‘Don‘t let me have to say that in German! My Deutsch is Scheiße!‘ Which raises some laughter from the crowd ... Going on to add‚ ‘Fourteen years and I can say, Hallo! Sorry!‘
Anyway, on with the music ...

‘Oceans of Time’ is a generally easy going rock ballad, that picks up some towards the end, with Johnny Gioeli giving the song plenty of emotion with his vocal performance.
 
 
The title track of the latest studio release next, ‘Circle of the Oath,’ which is quite the monster track at just over nine minutes long.
From the slow building start Johnny gives an almost Robert Plant like vocal, but then the song does have a kind of Zeppelin feel to it, with Axel playing some deep stuff here and even some mystical strings added by Ferdy to good effect.
 
 
Back to the ‘Black Moon Pyramid’ album for ‘Fool Fool’ next which has a kind of Rainbow like feel to it and Johnny with his almost Ronnie James Dio style vocal. Good one!
 
 
We get a keyboard solo from Ferdy Doernberg next, who toys with the crowd a little before they then play ‘Carousel’ from ‘Oceans of Time,’ which completely rocks out and is hugely catchy, very much to like Europe’s ‘Storm Wind …’ Sorry, but it is, still an immensely enjoyable track, that takes a diversion with Johnny introducing the band, while the band jams some, before coming back on track again to wrap up ‘Carousel.’
‘Tear Down The Walls’ then blends into ‘Nasty Reputation’ to rock out at the end of the CD album version of this release.
 

Two very strong tracks with great hooks, although it’s kind of funny as one of the lines in ‘Nasty Reputation’ sings ‘Rock the Nation,’ so when they go off and the audience claps and cheers to bring them back, it’s interesting that they close with the encore ‘Rock the Nation.’

I do like this album, there’s indeed very much talent in this band, many great songs and if you’ve never checked out Axel Rudi Pell and you’re one of those rock fans that often picks up9albums to see how much material they like by a band, then get this ...
 
It really is a great collection of the bands past history blended with sprinkling of newer tracks.
‘Live On Fire’ rocks and now I want to track down the DVD!

 
Rating: 4 out of 5
 
 
Official weblinks:
 
 
Purchase links: